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Film

Explore Madison’s art-house screenings and the adventurous corners of local cinema.

A modified still from the film "Weapons" shows several third-grade children running away from their suburban homes in the dead of night. The color-grading renders everything in a blue-ish grey, with the children running in a strange formation down a street into the distance. The children's arms are all held out to their sides to form an arrow-like shape.

Balancing acts in the multifaceted mystery of “Weapons”

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August 30, 2025

Edwanike Harbour and Jason Fuhrman swap responses to Zach Cregger's late-summer hit, an adaptable network narrative of psychological horror and black comedy.

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A still image from the 1980 film "Night Of The Juggler" shows a man and a woman standing at a medium close-up in an area of the South Bronx, New York City. They stare off into the distance and look worn out in the waning daylight. The woman on the left wears a thin, pale blue tank top. The bearded man on the right wears a heavier red and gold plaid shirt that is partly unbuttoned.
The unrelenting chase of “Night Of The Juggler” captures the turbulence of late ’70s New York
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August 27, 2025

Robert Butler's gritty action-thriller screens in a new restoration at UW Cinematheque on August 29, and kicks off their fall calendar.

A lower-resolution digital still from the film "I-Be Area" shows an angled view of an antiquated media player on an Apple computer screen. Within the .mov file that's playing, a female character sits awkwardly in a strange, claustrophobic room. She stares at the camera with her tongue out, while holding up a plastic object.
The shifting identities of “I-Be Area” offer a radical commentary on isolationism of the digital era
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August 11, 2025

Ryan Trecartin's queer, postmodern 2007 video-art feature screens as part of MMoCA's Rooftop Cinema series on August 14 at dusk.

Joe Pera is shown from behind, gazing up at a lights show at Milwaukee's Mitchell Park Domes. There's an interconnected web of lights that illuminate the image in a cool blue. Pera's centered but very low in the frame, amplifying the scope of the Domes. He's wearing a dark, fashionable jacket and his face is not visible.
Wisconsin in film and television: through the looking glass
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August 8, 2025

Perseverance stands out as a common denominator in our state's cultural representation.

Photo of a performance venue with elaborate stage lighting. Taken at a long shot from a second level, the five-piece band performs on a stage in the background below on the first floor. A rather large crowd of several dozen people fill out the first floor space in front of the stage.
Atwood Music Hall is putting century-old silent film on its grand new stage
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August 6, 2025

The east-side venue launches a free trio of Silent Movie Nights featuring live DJ accompaniment, starting with "Metropolis" on August 8.

Five aging players on a recreational baseball league team named "Adler's Paint" sit in their dugout and look toward the ball field off screen. The catcher sits in the foreground near the center with protective gear on.
The measured rhythms of “Eephus” offer a remedy to the turbulence of the modern world
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July 16, 2025

Carson Lund's wistful indie baseball comedy makes its Madison premiere at the Bartell Theatre on July 19.

A still image from the film "The Phoenician Scheme" shows three figures aboard a small aircraft in the cramped cockpit. A man in his 50s wears a business suit, sitting at the left with a broken arm; but he's flying the plane nonetheless. To his immediate right and behind him, a younger woman crouches and stares ahead with a concerned expression. She is dressed in a white habit as a novice nun. And to her right is a slightly older man dressed in a tan corduroy suit with a vest and bowtie. He stares out the lefthand window of the plane. All their expressions reflect concern or alarm.
Crises of faith and fortune in “The Phoenician Scheme”
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June 28, 2025

David Boffa and Sara Batkie contemplate the spiritual and reflexive dimensions of Wes Anderson's latest deadpan adventure.

A sepia-colored still image from the 1966 French film "A Man A Woman" shows the titular man and woman sitting at a restaurant booth at a close-up. The man, on the left, holds an object up in his left hand to show the woman seated beside him. They're both wearing semi-formal clothing and smiling.
“A Man And A Woman” and the poetic glow of the everyday
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June 23, 2025

Claude Lelouch's undersung, dizzying romantic drama screens in a new restoration at the UW Cinematheque on June 26.

A black and white still image from the 1980 film, "The Elephant Man" shows a male figure standing in an office room. He is shrouded in dark garments and a lighter cloth that covers his entire head. A small eyehole section is cut from the lighter cloth to reveal his left eye. His left hand gestures forward.
“The Elephant Man” imbues a transcendent portrait of a tortured outsider with deep compassion
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June 18, 2025

David Lynch's haunting sophomore feature kicks off the summer season at UW Cinematheque on June 25.

An Indian person's hands are shown at a close-up holding open a printed copy of a newspaper. Sunlight makes parts of the newsprint transparent, blurring the Hindi text on the cover page and second page that are printed on opposite sides.
“Sheetla” bears the weight of familial history as tethered to cultural destruction
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June 11, 2025

Multidisciplinary artist Anamika Singh's short documentary on leftist Indian newspaper Jan Morcha screens twice at the Chazen in June alongside her multimedia gallery exhibition "Corpus."