Edwanike Harbour
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Continuity and expressive experimentation in the 2026 Wisconsin Film Festival
Eight writers share their initial insights on the eight-day extravaganza, April 9 through 16, across UW campus and Madison.
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One movie meditation after another: toiling through 2025
Nine writers processed these trying times through cinema, at the theaters and at home.
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Balancing acts in the multifaceted mystery of “Weapons”
Edwanike Harbour and Jason Fuhrman swap responses to Zach Cregger’s late-summer hit, an adaptable network narrative of psychological horror and black comedy.
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The sights and shape(s) of the 2025 Wisconsin Film Festival
Seven writers size up the programming patterns in the eight-day celebration of movies, which runs April 3 through 10 across UW–Madison campus and beyond.
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The spellbinding, suspenseful adventure of “Sorcerer” is life-changing
William Friedkin’s undersung 1977 film screens in a DCP restoration at UW Cinematheque on February 7.
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We contained multitudes: an uncontained year in cinema
In this inclusive diary compendium, 10 writers share their thoughts and experiences on the 2024 year in moviegoing.
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The splenetic slapstick and severe stakes of “Anora”
Sara Batkie and Edwanike Harbour discuss the twists and turns of Sean Baker’s latest award-winning dramedy.
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The short shelf life of “Longlegs”
Edwanike Harbour and Jason Fuhrman consider the issues that define and afflict Osgood Perkins’ recent horror hit.
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The reckless, Springsteen-inspired revelry of “Streets Of Fire”
Walter Hill’s wild “rock ‘n’ roll fable” from 1984 screens on 35mm at UW Cinematheque on April 26.
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In “String Theory: The Richard Davis Method,” the storied jazz bassist takes the lead
Michael Neelsen’s new documentary on the late musician and UW-Madison professor premieres at the Wisconsin Film Festival on April 7.
