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Music

Deeper perspectives on Madison-area music: shows, new releases, and big-picture issues facing the music community.

Jane Hobson performs live at the Crystal Corner Bar in 2023. The photograph is faded. In it, Hobson is centerstage, playing guitar. To her left is a bassist, to her right a guitarist. The band's drummer is not clearly visible, hidden in part by a large stage monitor on the image's bottom left corner.

Jane Hobson’s new single exudes an empathetic warmth

"Walking In Circles" is an understated indie-rock gem.

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Damsel Trash performs at Harmony Bar & Grill in 2024. Emily Mills is playing a red-shell drum kit and smiling to the image's left. To their right, Meghan Rose is playing a white Telecaster and scrunching up her face in concentration. In the center of the image, behind the duo, a trans flag hangs on the venue's wall. Mills is wearing a chunky necklace and a white zip-up jacket. Rose is wearing a colorfully patterned jumpsuit. Mills, Rose, and the flag are illuminated, the rest of the image is nearly black, with only some stray stage equipment visible.
A hot slate of Madison music demands extra attention

New releases from July and August reflect a defiant determination.

Slick pose with their arms around each other in front of a vehicle being serviced at an auto repair shop. From Left to Right: Calvin Childress, Nate Opperman, Hance Throckmorton, and Morgen Nicodemus. Each band member is holding a small repair tool. They're all smiling, apart from Opperman, whose lips are pursed.
Slick swings for the fences

The emergent indie-punk quartet prizes the power of impact.

Photo of a performance venue with elaborate stage lighting. Taken at a long shot from a second level, the five-piece band performs on a stage in the background below on the first floor. A rather large crowd of several dozen people fill out the first floor space in front of the stage.
Atwood Music Hall is putting century-old silent film on its grand new stage

The east-side venue launches a free trio of Silent Movie Nights featuring live DJ accompaniment, starting with "Metropolis" on August 8.

Dan Walkner appears smiling, holding a fishing rod in front of a body of water. He's wearing a plaid shirt and black jeans. His hair is long, he's got a full beard, his sunglasses are perched on top of his head, and he's smiling.
Dan Walkner’s “Easy Going” balances subtle pathos with nostalgic warmth

The Americana-indebted songwriter's latest album is an intoxicating concoction.

Hottt Probs perform at High Noon Saloon. Their vocalist is shown mid-strut in a black fishnet bodysuit that's worn under a black miniskirt and a gray bra with ornate designs. She takes up the middle of the image. The band's drummer is shown in soft focus in the lower left. Part of a banner cuts into the backdrop, reading "AN ERROR" behind the band.
Hottt Probs headline the next entry of a great new live concert series

Atwood Music Hall's Locals Only emphasizes Madison's musical talent.

Graham Hunt performs live at the High Noon Saloon. He's wearing a red button-up long sleeve shirt and gripping a microphone with his left hand and singing with his head down. His right hand grips the mic cable. Behind him is a cascade of blue and purple stage lighting. The stage lighting provides a soft, halo illumination effect that surrounds Hunt's head. Dusk bassist Ridley Tankersley can be seen in soft focus several yards behind Hunt, playing tambourine.
Local artists ratchet up the heat

May and June's new music releases teem with scorching confidence.

The members of Cribshitter crouch and rest for support on a small wooden table outdoors. Trees are visible in the background.
Cribshitter celebrates a chaotic history

The legendary Madison band is back with a mini-documentary and greatest hits compilation.

Isaiah Collier is shown in the center of the image, smiling at the camera. He's wearing a white turtleneck and an eccentric white hat. The background is gray.
Madison Jazz Festival returns with emphasis

Isaiah Collier is one of many highlights in a sprawling, generous program.

A black-and-white photograph depicts Matt Monsoor standing with his head down and legs slightly crossed while leaning against a wall in a wood shed. He's pictured to the slight left of center, wearing a jacket, work pants, a white shirt, white sneakers, and a black-and-white baseball cap that partially obscures his face. Beams of light cut in from the right and illuminate his shoes. The floor is dirt.
Matt Monsoor’s “Sam’s Hill” is a rich slice of warm Americana

The La Crosse-based songwriter's latest single embraces an assured sense of place.