A Madison transplant, Grant has been writing about contemporary and repertory cinema since contributing to No Ripcord and LakeFrontRow; and he served as Tone Madison‘s film section editor for a handful of years before officially assuming an arts editor role in 2026. More recently, Grant has been involved with programming at Mills Folly Microcinema and one-off screenings at the Bartell Theatre. From mid-2016 thru early-2020, he also showcased his affinity for art songs and avant-progressive music on WSUM 91.7 FM. 🌱
Ahead of the final Rooftop Cinema of the summer on August 27, Hanna Kohn, Lewis Peterson, and Grant Phipps chat about the experimental animations of Lewis Klahr.
Hannah Jayanti's "speculative documentary" is less speculative and more assured in the news cycles of mid-2021, but it remains an enamoring experience as part of MMoCA's Rooftop Cinema on August 20.
Ben Stiller's densely divisive cult film is a satirical commentary on Gen-X media culture, but it has now become a memorable cultural moment in itself. ️
Grant Phipps considers a plethora of short films included in a few of the virtual fest's programs—"Birth And Rebirth," "Do Not Adjust Your Sets," and "Only The Lonely."
UW-restricted footage from 1961 premieres in the PBS live virtual event, "Sifting And Winnowing And Film Burning," on April 18 with a distinguished panel.