La Santa Cecilia, Snake On The Lake Fest, Group Of The Altos, and more of the best stuff in Madison this week. | By Scott Gordon, Chris Lay, and Joel Shanahan
THURSDAY SEPTEMBER 10
Central Park Sessions: La Santa Cecilia, Eric Lindell, The Rousers. Central Park, 5 p.m. (free)
The second annual Central Park Sessions seriesâan extension of the music offerings at Madisonâs east-side neighborhood festivalsâcloses out here with an LA-themed bill. East LA-based headliners La Santa Cecilia wield a rhythmically rich blend of Latin musical styles ranging from cumbia to bolero, but their songs cohere around a distinctly contemporary pop sensibility. Festive as it can be, La Santa Ceciliaâs music is also laced with subjects ranging from folklore to politicsââLa Negra,â from 2013âs La Noche Y Citas, draws on the tradition of Dia De Los Muertos, while the bandâs best-known song, âIce El Hielo,â expresses the plight of immigrants living in fear of deportation in the States. Eric Lindell, who is based in Louisiana but was born in Southern California, plays affable, swaying R&B with enough layers of tender guitar, shiny organ, and vocal harmonies to bring some depth to the songsâ laid-back grooves. Madison blues fixtures The Rousers get things started, and the UW Space Place will be hosting a stargazing session after dark.
The Yes Men Are Revolting. Central Library, 6:30 p.m.
Itâs getting harder and harder to rail against The Man with any sense of humor, or really rail against The Man in any way where you can feel like youâre doing much of anything useful in the big picture. Sure, Banksy does his thing to great acclaim, but his works by their nature always have a built in commentary on the art world. The Yes Men have been taking on post-globalist political corporate entities with a sly grin for nearly two decades, and 2014âs documentary The Yes Men Are Revolting captures their most recent forays into corporate infiltration (including an attempt to pose as representatives of the U.S. Chamber of Commerce) and outrageous protests, as they take on climate change, big oil, and Occupy Wall Street.
Bela Fleck And Abigail Washburn. Union Theater, 8 p.m.
Eagles Of Death Metal. High Noon Saloon, 8 p.m. (sold out)
FRIDAY SEPTEMBER 11
Clyde Stubblefield Benefit. Barrymore, 8 p.m.
In the second of three shows benefitting Clyde Stubblefield Scholarship Fund, the Madison resident and drummer-who-should-be-given-all-the-some will play with a multi-generational all-star band featuring a whopping 30-plus Madison-area musicians. The insanely stacked lineup includes R&B singer and consummate showman Charlie Brooks (the frontman of Stubblefieldâs much-missed Funky Mondays residency), Gomers keyboard player Dave Adler, jazz pianists Dave Stoler and Harris Lemberg, trombone player Darren Sterud, saxophonist Eric Koppa, and rapper/spoken-word dude Rob Dz, to name a few. Thereâs one more benefit show, featuring a bunch more exciting guests, on October 8 at the Overture Center; you can also give to the scholarship fund online.
Snake On The Lake Festival. Union South Sett, 6 p.m.
We never wouldâve expected such a molotov cocktail of acts to be curated for the annual Snake On The Lake festival, but this year the fuse is lit and the freak flag flies high with an all-Madison-artists lineup. With DJ Evan Woodward on the decks, tying all the acts together with his deep, worldly grooves, this yearâs shockingly eclectic and all-local installment of the fest runs the gamut from tame to twisted. Madisonian stalwarts Proud Parentsâa band that boasts members from The Hussy and Fire Retarded, as well as all of the other bands that boast members of The Hussy and Fire Retardedâwill kick off the festivities with sugary, concise garage pop tunes. After that, Myrmidons will step in with their equal parts worldly and surfy prog-punk tunes. Synth-laced rânâb crooner Mr. Jackson, who has a new, mindblowingly-titled album called Black Gandalf in the works, will pop in for a collection of sexed-up grooves that will hopefully feature some fresh jams from the new long-player. Under his Samantha Glass moniker, Beau Devereaux will continue to pull a mostly unsuspecting, Sett Sauce-devouring audience down a moodier, foggier path, with his powerful blend of commanding synth layers, minimal drum patterns, and hauntingly washed-out, Alan Vega-channeling vocals. And finally we arrive at Clay Rubyâs long-running Burial Hex project, which has evolved from ritualistic, horror-themed power electronics to progressive, industrial dirges loaded with gorgeous string arrangements, piano lines, broodingly melodic vocals, and careful rhythmic patterns in last yearâs epic, long-form journey The Heirophant. Ruby tends to mix all eras of his work into his sprawling, ritualistic, and highly performative live sets, which cascade from careful and delicate electric piano passages to summoning explosive walls of noise and tortured screaming.
Thurston Moore Band, Mikal Cronin, The Cairo Gang. High Noon Saloon, 9 p.m.
Say what you will about ex-Sonic Youth frontman Thurston Mooreâs solo careerâwhether heâs strutting around like a swaggering peacock and abusing his guitar in his much-lauded live, improvised noise sets, attempting a more orchestrated, folk-tinged affair in 2011âs Demolished Thoughts, or refining his noise-pop charm to gloriously imperfect effect in this writerâs favorite Moore solo venture, 1995âs Psychic Heartsâyouâve got to applaud the guy for never resting too hard on his laurels and constantly remaining ambitious. 2014âs The Best Day, which sheds the Chelsea Light Moving moniker heâd been touring behind in favor of The Thurston Moore Band, slashes up the finer points of his solo career and carries over some shades of late-period Sonic Youth material. While Moore isnât touring behind a new album currently, he is about to release a poetry book titled Stereo Sanctity on his own Ecstatic Peace imprint, which he will hopefully have in tow. Be sure to get there early enough to check out Mikal Cronin, whose humble beginnings in L.A.-based garage-punk outfit Epsilons (with Ty Segall) have helped him evolve into a seasoned songwriter making refined and dusty Americana-pop tunes. Cronin is currently touring behind this yearâs MC III.
Foshizzle Friday. James Madison Park, 5 p.m. (free)
Madisonâs Foshizzle crew is a tasteful and mostly pretty young bunch of DJs and producers, best known for solid house and techno selections and putting on parties at whimsical locations like train cars and tea shops. But their favorite venue is James Madison Park, and at this event theyâll celebrate three years of hosting DJ sets and the occasional live PA there. Foshizzle DJs will be spinning a continuous tag-team set of dance jams, hosting a communal art project, and even serving tea, in a nod to the now-closed Dobra Tea on State Street, where they put on some âTea Timeâ events. The party at James Madison Park goes until 9, and then things shift over to the Cardinal Barâs House Of Love night.
The Trial. Vilas Hall, 7 p.m. (free)
Itâs perfectly fitting that Orson Welles follow-up to the headaches he went through on Touch Of Evil (a cut of that film to Wellesâ specifications wouldnât be assembled until long after his death) would be an adaptation of Kafkaâs surreal tale of bureaucracy crossing the line into literal absurdity, The Trial. For anyone who opted for The Metamorphosis in high school English class, The Trial tells the sad and convoluted tale of Josef K. (a post-Psycho Anthony Perkins) who is being tried for… for… well, thatâs the problem because just trying to find out what crime exactly heâs being charged with sends him further and further down the rabbit hole of forms to file, legal double-talk, and mounting paranoia. The themes have become increasingly less satirical and more apt ever since the Patriot Act and all, but thatâs another freshman year poli-sci paper for another time. For now, just bask in Wellesâ take on one of the bleakest of black comedies in all of literature.
Night Light: Tetrapakman, Clocks In Motion. Central Library, 8 p.m. (free)
This installment of the Madison Public Libraryâs monthly after-hours events for adults will celebrate the opening of Madison artist Victor Castroâs (aka Tetrapakman) newest show of sculptures and mixed-media works, Calculations, Abstractions, And Silence. Speaking of, check out our profile of Castro from earlier this week. The evening also features music from Madison percussion ensemble Clocks In Motion, who combine a modern-classical repertoire with a mesmerizing, harmonically dense performance style, sometimes incorporating microtonal instruments of their own making.
Mary Ocher, William Z. Villain, Kleptix. Good Style Shop, 9 p.m.
Currently wrapping up the follow up full-length to EDEN (currently slated for a release later this year) Tel-Aviv based songwriter, experimentalist, and filmmaker Mary Ocher uses her ground-shakingly gorgeous voice to belt out semi-deconstructed and (sometimes) politically-charged tunes that pivot between heady and tasteful folk numbers, which are at times jammed through a lo-fi garage-rock fuzz. EDEN showcased Ocherâs broad songwriting range, which is definitely exemplified in the contrast between two of the LPâs singlesâhauntingly sprawling piano ballad âThe Android Seaâ and slanted, worldly rocker âBaby Indiana.â However, both tunes are tied together by Ocherâs belting and virtuous vocal lines, which quiver and wail with maximum dynamic control over both. Hereâs hoping we get to hear some new, evolved tunes from her upcoming long-player.
Ratatat, Hot Sugar. Orpheum, 9 p.m. (sold out)
SATURDAY SEPTEMBER 12
Remorques. Vilas Hall, 7 p.m. (free)
UW Cinemathequeâs somewhat overwhelming fall calendar includes a five-film retrospective of a lesser-appreciated French director, Jean GrĂ©millon, who worked from the silent-film era until his death in the late 1950s. The series begins with 1941âs Remorques, set in and made during the Nazi occupation of France. Jean Gabin stars as a tugboat captain in this love story, which reflects GrĂ©millonâs efforts to push back against Nazi censorship.
Capital Comedy Show. Crescendo, 8 p.m.
The west side hasnât had much by way of comedy for a hot minute since The Capital Comedy Showâs variety of Wisconsin and regional stand-ups took a brief break from Monroe Streetâs Crescendo Espresso Bar + Music Cafe, but the show returns to its quaint little coffee house roots this week with a lineup that is pretty Milwaukee-heavy (Mike Berg, Andrea Guzzetta, Gary Zajackowski) but mixes in some folks from other Midwestern places as well, including Chicago (headliner Erik Niewiarowski), Iowa (AyJay Barbie-Que Grill, yes thatâs his name), and even gives some shine to Madison (Ian Erickson). Ryan Mason, who splits his time between Madison and Milwaukee and puts the whole thing together, will also host.
For The Love Of Hip Hop. 30 On the Square, 5 p.m. (free)
Madison-based rapper Pooh G told a Milwaukee TV station that he made his song âBucky Badgerâ after the UW mascot came to him in a dream, though that songâs verses about partying on campus arenât completely indicative of the rest of his gritty repertoire. Heâs headlining this bill of seven Wisconsin hip-hop artists: Also included are versatile Madison MC Sincere Life, whoâs been at work on a new project to follow this springâs Fallen Crowns EP, and Madison duo Worthless Righteous.
Proud Parents, Gymshorts, Scott Yoder, Tarpaulin. Mickeyâs Tavern, 10:30 p.m. (free)
SUNDAY SEPTEMBER 13
Adamâs Rib. Chazen Museum of Art, 2 p.m. (free)
George Cukor wasnât as fetishized as John Ford or as emulated as Howard Hawks or as revered as Frank Capra, but Cukor was the man behind such pillars of Hollywoodâs early sound and color years as The Wizard of Oz, Gone With The Wind, and A Star Is Born, to say nothing of the Katharine Hepburn comedy trifecta of Holiday, The Philadelphia Story, and 1949âs Adamâs Rib, screening here in a 35mm print. The film manages the tricky feat of milking timeless comedy from the romantic and professional strains put on a marriage when a lawyer husband and wife, played by real-life Hollywood couple Spencer Tracey and Katharine Hepburn, take up the respective prosecution and defense of a woman (Judy Holliday) accused of attempting to murder her husband (Tom Ewell). The end result is one of the pinnacles of screwball comedy, landing it at no 22 on AFIâs top comedies list and no. 7 on their sightly more specific âRomantic Comediesâ list (but that list also put When Harry Met Sally… at no. 6 and Sleepless In Seattle at no. 10, if youâre looking for any reasons to toss that whole thing in the garbage).
Micro-Wave Cinema: God Bless The Child. Vilas Hall, 7 p.m. (free)
The low-budget, indie-centric Micro-Wave Cinema Seriesâ fall calendar kicks off with God Bless The Child, the second feature from directing team Robert Machoian and Rodrigo Ojeda-Beck. The film follows a day in the life of a brood of brothers who have just been coldly and open-endedly left in the care of their older sister. The film offers very few clues as to why the mother abruptly bolted on these five kids, ranging from toddler to teenager, but what it does offer is a number of gorgeous scenes that manage to display the chaos and fragility, beauty and pettiness, cruelty and kindness of childhood for a number of ages. Itâs a charming work thatâs easy enough to take in, but has more than enough nooks and crannies to examine and deconstruct. Some of the films down the line in the Micro-Wave series are going to be a bit more difficult, so cherish the comfortable simplicity of this first film while you can. Machoian and Ojeda-Beck will be calling in via Skype for a post-screening Q&A.
TUESDAY SEPTEMBER 15
SZA, Povi, Lizzo. Majestic, 8:30 p.m.
Dreamy and distant, Maplewood, New Jersey-based songwriter Solana Roweâbetter known as SZAâpumps a big breath of fresh air into her crowded sea of contemporaries. Nothing against infectious, smooth jams with slow, 808-laced grooves, but SZA distinguishes herself via the clear influence of â90s trip-hop, an arsenal of beautifully curated sonic backdrops, and Roweâs drifting, understated vocals, pushing the singer even deeper into her own hazy universe on last yearâs Z EP. Of course, the acrobatic flow of Kendrick Lamarâs guest verse in string-laden album highlight âBabylonâ or the bubbling, warped synths in the Toro Y Moi-produced âHijackâ donât hurt, but what really ties the effort together is Roweâs ability to meander below the threshold and rarely jump to the easiest hook. SZAâs debut full-lengthâsimply titled Aâis finally due later this year.
WEDNESDAY SEPTEMBER 16
Group Of The Altos, Chris Rosenau And Jon Mueller. Shitty Barn (Spring Green), 7 p.m.
Wisconsin should really be just as well-known for strange, experimental, and at times sinister music as it is for accessible folk-rock. (Especially as plenty of the same people are involved in making both in our state.) One of the strongest cases for that is Milwaukeeâs Group Of The Altos, a 15-member band crafting disjointed epics around visceral rhythms, clanging guitars, horns, strings, and eerily engaging group vocals. Between 2011âs Altos and this yearâs R U Person Or Not, itâs hard to find two moments where the sonic and compositional mix shakes out the same, from the searing slow burn of Altosâ âHim Vs. Hymnâ to the boisterous, swaying group chants of Personâs âOn Wreck.â The effect should become even more intense and even more likely to keep you off-balance when the whole band crams into Spring Greenâs Shitty Barn, with an opening set from Milwaukee experimental-music veterans Chris Rosenau and Jon Mueller (Pele, Collections Of Colonies Of Bees, etc.).
<a href=”http://altos.bandcamp.com/album/r-u-person-or-not”>R U Person Or Not by Group of the Altos</a>