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SUMMARY:Police Story III: Supercop at UW Cinematheque
DESCRIPTION:Inspectors Jessica Yang (Michelle Yeoh) and Chan Ka Kui (Jackie Chan) stand side by side with fists and a gun at the ready. \nAlthough both are wonderful in their own rights\, there’s really no need to watch Police Story (1985) or Police Story II (1988) in order to enjoy the standalone speedway of antics and action in Stanley Tong’s Police Story III: Supercop (1992). \nAs the second to last screening in the 2x series at UW Cinematheque this spring\, Police Story III will have you double-pumping your fists in excitement at Michelle Yeoh\, who plays Inspector Jessica Yang\, and Jackie Chan\, who plays Inspector Chan Ka Kui\, narrowly escaping a room full of ready-to-explode ammunition. A familiar cast also returns to support Chan—the titular “supercop”—including his sometimes-supportive supervisor\, “Uncle” Bill (Bill Tung)\, and his sweet and somewhat impulsive wife\, May (Maggie Cheung). \nThe film’s plot is wrapped up with Inspectors Yang and Ka Kui’s undercover infiltration of a drug ring\, which takes them around mainland China and eventually into Malaysia. Through their earnest displays of fighting prowess\, grit\, and some clever disguises\, Yang and Ka Kui work their way up and eventually earn the respect of the ruthless and Tetris-obsessed crime boss\, Chaibat (Kenneth Tsang). More trouble ensues\, and the charismatic duo fights their way through with acrobatic flips\, high kicks\, and sometimes-borrowed guns. The story is fast-paced and frantic\, but the precise details of it melt away when the action and explosions start up; all that matters are Yeoh and Chan’s increasingly death-defying stunts. \nPolice Story III feels like a feature-length version of catching motorcyclists pop wheelies while riding down East Wash on a warm summer evening. Whether you’re like me\, and relatively new to the joys of the action genre\, or you are a seasoned Jackie Chan fan\, this film (screening here in its original international version) is a surefire good time. \n—Hanna Kohn
URL:https://tonemadison.com/event/police-story-iii-supercop-at-uw-cinematheque/
LOCATION:UW Cinematheque\, 821 University Ave / 4070 Vilas Hall\, Madison\, WI\, 53706\, United States
CATEGORIES:Film
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SUMMARY:Fool's Paradise at Marcus Point Cinema
DESCRIPTION:Wearing a blazer and fedora\, Latte Pronto (Charlie Day) sits in an office and stares forward with a confused look on his face. \n“Fool’s Paradise” is also screening at Marcus Palace Cinema and AMC Fitchburg. \nFool’s Paradise\, the newly released comedy written\, starring\, and directed by It’s Always Sunny In Philadelphia’s Charlie Day\, plays against Day’s strengths so much that you have to wonder if it’s some kind of meta-prank on the public. Maybe Day is just seeing if he can garner praise from Sunny loyalists for a movie that isn’t funny at all\, despite much of the dialogue having at least the rhythm of jokes. It’s currently getting a fairly sizable theatrical push nationwide; and\, while it’s hard to endorse rushing out to the theater to see it\, you may get the chance to commiserate with other Sunny superfans\, and hopefully give Day the chance to get another swing that will connect next time\, or simply see a beautiful face\, huge. \nThe premise is a mix of The Prince And The Pauper and Being There (1979) (which Day freely admits to stealing from): a mute\, institutionalized man (Day) is dumped on the streets of Los Angeles\, and immediately is recognized as identical in appearance to huge movie star Sir Thomas Billingsly (also Day). He’s immediately whisked onto a movie set by an impatient producer (the late Ray Liotta)\, and begins his ascent to stardom despite not uttering a word\, unable to discern acting from reality or stop himself from looking directly into camera at all times. He’s accidentally dubbed Latte Pronto\, and a sweaty and desperate publicist Lenny (Ken Jeong) immediately latches onto him. \nEvery character Latte encounters is too self-involved to notice that the guy is completely blank;  they just project whatever else they think is needed onto him. Here\, Day is robbed of his signature\, manic line deliveries\, and prevents himself from making any facial expressions beyond bewilderment or a weak smile\, which leave the whole affair completely flat. (For a better use of silent-film era acting in a more modern context\, I’d recommend 1989’s Sidewalk Stories.) The initial setup gives a vague promise that Latte’s mute condition will be explained\, but that scene must have been left on the cutting room floor (to use a somewhat hackneyed phrase in keeping with a hackneyed movie). \nThe film was apparently filmed pre-pandemic\, and has been languishing in post-production since then. The extended editing time results in many scenes that have the bizarre feeling of comic staging\, but with the punchlines excised. The cast is stacked with celebrities that Day surely had to cash in some favors to get: Kate Beckinsdale\, Adrien Brody\, Jason Sudekis\, Edie Falco\, Jason Bateman\, Common\, and John Malkovich all make appearances. And of course Sunny regulars like Day’s wife Mary Elizabeth Ellis\, Jimmi Simpson\, Artemis Pebdani\, Lance Barber\, David Hornsby and Glenn Howerton round out the who’s who. \nDay has certainly had the most successful film career of the four main Sunny cast members (and recently voiced Luigi in the Super Mario Bros. Movie)\, but Fool’s Paradise feels closer in tone to Howerton’s appearance in the abysmal Coffee Town (2013) than something that plays to his strengths. After 18 years on TV\, presumably Day knows what he does well\, so it remains a mystery as to why he would write a vehicle for himself that does none of that. Without the mean streak that presumably rests more with Glenn Howerton and Rob McElhenney than Day (on Sunny)\, you get something so toothless you can feel some very sentimental gums nibbling your ear. \n—Lewis Peterson
URL:https://tonemadison.com/event/fools-paradise-at-marcus-point-cinema/
LOCATION:Marcus Point Cinema\, 7825 Big Sky Drive\, Madison\, WI\, 53719\, United States
CATEGORIES:Film
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