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X-WR-CALDESC:Events for Tone Madison
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DTSTART;TZID=America/Chicago:20220804T180000
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DTSTAMP:20260407T125524
CREATED:20220729T230125Z
LAST-MODIFIED:20220729T230206Z
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SUMMARY:Drunken Master and Police Story 2 at UW Cinematheque
DESCRIPTION:Emerging from a mid-1970s sea of Bruce Lee imitators\, Jackie Chan quickly established himself as a singular talent\, directing his own films and leading a highly disciplined stunt team. Infusing the martial arts genre with his Chinese opera training and a willingness to put himself in physical danger\, Chan stood out as an innovator.\n\n \n\nLoosely based on a Chinese folk hero\, Drunken Master is one of the first films that let Chan’s goofy underdog persona shine. Creating new fighting styles for each of his films\, director Yuen Siu-Tin opted for entertainment value over realism\, creating the perfect showcase for Chan’s agility and comic mugging.\n\n \n\nPolice Story 2 shows a refinement of Jackie Chan’s personal style\, creating a vehicle perfectly tailored to his physical skills and underdog persona. Though he wisely didn’t try to top the first film’s death-defying finale\, Police Story 2 has plenty of incredibly dangerous stunts and intricate fight choreography. —Ian Adcock
URL:https://tonemadison.com/event/drunken-master-and-police-story-2-at-uw-cinematheque/
LOCATION:UW Cinematheque\, 821 University Ave / 4070 Vilas Hall\, Madison\, WI\, 53706\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Chicago:20220804T200000
DTEND;TZID=America/Chicago:20220804T220000
DTSTAMP:20260407T125524
CREATED:20220729T231120Z
LAST-MODIFIED:20220730T081226Z
UID:15140-1659643200-1659650400@tonemadison.com
SUMMARY:Rooftop Cinema: The American Sector at Madison Museum of Contemporary Art
DESCRIPTION:Rooftop Cinema returns to the sculpture garden atop MMoCA on State Street for a 17th season\, now on Thursday nights in August. The outdoor series\, which has showcased everything from experimental animation to concert films to offbeat narratives\, now shifts its thematic lens towards a four-film slate of personal documentaries. Courtney Stephens and Pacho Velez’s The American Sector (2020) kicks off Rooftop’s 2022 programming here. The succinct 70-minute film is a fusion of travelogue\, political documentary\, and art appreciation\, as the co-directors capture sections of the Berlin Wall that have been reappropriated and displayed in over 75 locations across the United States\, from Fort Benning to Vegas. Based on Velez’s prior work with slow cinema ethnographic fiction Manakamana (a 2014 Wisconsin Film Festival selection)\, expect a distinctive eye for detail and resonant commentary on American values. —Grant Phipps
URL:https://tonemadison.com/event/rooftop-cinema-the-american-sector-at-madison-museum-of-contemporary-art/
LOCATION:Madison Museum of Contemporary Art\, 227 State Street\, Madison\, WI\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Chicago:20220807T210000
DTEND;TZID=America/Chicago:20220807T233000
DTSTAMP:20260407T125524
CREATED:20220729T232443Z
LAST-MODIFIED:20220729T232443Z
UID:15152-1659906000-1659915000@tonemadison.com
SUMMARY:A League Of Their Own at Memorial Union Terrace
DESCRIPTION:Though the film may have caused the first stirrings of feminist ideology in a generation of impressionable athletes\, its combination core as a pure baseball comedy is what has made it stick. A League Of Their Own tells the mostly-fictionalized account of the All-American Girls Professional Baseball League (AAGPBL) in its prime. As Major League Baseball players continue to get shipped overseas as soldiers for WWII\, the businessmen of the American dynasty quickly notice the faltering profits. They eventually land on the novel idea of a professional women’s league to fill the time and their pockets.\n\n \n\nDirector Penny Marshall and screenwriters Lowell Ganz and Babaloo Mandel meet viewers with the familiarity of America’s Pastime to ease some into the fact that women can be ballplayers\, actually. It also wouldn’t be the dramedy of resilience that it is without its acknowledgment of the barriers women faced in the 1940s\, especially those who stepped outside the boundaries of the home when the war made it essential. —Alisyn Amant
URL:https://tonemadison.com/event/a-league-of-their-own-at-memorial-union-terrace/
LOCATION:Memorial Union Terrace\, 800 Langdon Street\, Madison\, WI\, 53703\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Chicago:20220811T200000
DTEND;TZID=America/Chicago:20220811T220000
DTSTAMP:20260407T125524
CREATED:20220805T170023Z
LAST-MODIFIED:20220805T170908Z
UID:15229-1660248000-1660255200@tonemadison.com
SUMMARY:Rooftop Cinema: Poly Styrene: I Am A Cliché at Madison Museum Of Contemporary Art
DESCRIPTION:As with years of recent Rooftop Cinema past\, the outdoor series tends to favor an annual explication of an iconoclastic musician or groundbreaking movement in punk or the avant-garde. Past year’s selections have included Tony Conrad: Completely In The Present in 2019 to Desolation Center in 2020. This year’s Poly Styrene: I Am A Cliché is a multifaceted portrait of the titular British-Somali poet and vocalist (born Marianne Elliott-Said)\, who fronted X-Ray Spex in late 1970s London. \nWhile Poly’s DIY flair for fashion and distinctively defiant punk rock influenced riot grrrl acts in the 1990s and Afro-punk in the 2000s\, this documentary ultimately revolves around a family affair\, as it’s co-directed by the famed singer’s daughter Celeste Bell (with increasingly prolific documentarian Paul Sng). \nIn the opening seconds of the film\, Bell considers a question that’s often asked of her about Poly being a good mother. Over the course of 90 minutes\, Bell attempts to answer and reconcile the faces of public and private life. In reconstructing and retracing Poly Styrene’s artistic roots through artifacts that predate Bell while simultaneously sifting through early memories (or those made in her absence) as a child\, this biography documentary becomes a surprisingly psychological and uncommonly comprehensive look at identity. —Grant Phipps
URL:https://tonemadison.com/event/rooftop-cinema-poly-styrene-i-am-a-cliche-at-madison-museum-of-contemporary-art/
LOCATION:Madison Museum of Contemporary Art\, 227 State Street\, Madison\, WI\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Chicago:20220815T210000
DTEND;TZID=America/Chicago:20220815T223000
DTSTAMP:20260407T125524
CREATED:20220812T171040Z
LAST-MODIFIED:20220812T172553Z
UID:15293-1660597200-1660602600@tonemadison.com
SUMMARY:Creature From The Black Lagoon at Memorial Union Terrace
DESCRIPTION:Though by all accounts\, it’s the campy embodiment of the creature-feature genre\, Jack Arnold’s original Creature From The Black Lagoon (1954) stands out in WUD Film’s summer programming lineup at Memorial Union Terrace as the oldest and most classically distinguished selection. Natural horror and sci-fi invasion adventures ruled the day through the 1950s\, first finding an audience with Christian Nyby’s The Thing From Another World (1951)\, which yielded one of the all-time great remakes in John Carpenter’s The Thing (1982). But\, can Nyby’s film claim to have inspired two official sequels and a short-running musical? I think not. \nWhile the rubbery\, amphibious “Gill-man” himself isn’t terribly frightful and the dynamic between male scientists on land leaves something to be desired\, the fluid underwater diving and stalking sequences\, actually directed by James C. Havens\, are beautiful to behold. They surely must have inspired a young Steven Spielberg at the time\, who went on to make the thrilling cinematic event of the 1970s in Jaws (1975)\, which spawned too many imitators to even account for. (Without Creature\, there also wouldn’t be 2018 Best Picture winner The Shape Of Water.) In all cases\, the original visions have stood the test of time. And screening to a lively audience sprawled out on the Terrace\, Creature From The Black Lagoon can perhaps serve as a gateway to a budding horror historian or enthusiastic young filmmaker. —Grant Phipps
URL:https://tonemadison.com/event/creature-from-the-black-lagoon-1954-at-memorial-union-terrace/
LOCATION:Memorial Union Terrace\, 800 Langdon Street\, Madison\, WI\, 53703\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Chicago:20220822T200000
DTEND;TZID=America/Chicago:20220822T220000
DTSTAMP:20260407T125524
CREATED:20220819T203516Z
LAST-MODIFIED:20220819T224216Z
UID:15382-1661198400-1661205600@tonemadison.com
SUMMARY:Mariupolis at Leopold's Books Bar Caffè patio (following Ukrainian fundraiser dinner)
DESCRIPTION:Excerpt from Grant Phipps’ recent article about Sam Brown’s outdoor movie series at Leopold’s: Apart from the Herzog-Kinski features\, Brown has also been hosting fundraising events that include monthly Ukrainian dinners that benefit the international nonprofit World Central Kitchen. The next one\, on Monday\, August 22\, at 5 p.m.\, is coupled with a patio screening of the documentary Mariupolis (2016) by director Mantas Kvedaravičius. The Lithuanian-born Kvedaravičius was killed this past April during the Russian siege of Mariupol shortly before the Cannes premiere of companion film Mariupolis 2. Brown cites the efforts of producer Anna Palenchuk\, founder of the Kyiv-based 435 Films\, for helping make the 8 p.m. screening possible.
URL:https://tonemadison.com/event/mariupolis-at-leopolds-books-bar-caffe-patio/
LOCATION:Leopold’s Books Bar Caffè\, 1301 Regent Street\, Madison\, WI\, 53715\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220825T200000
DTEND;TZID=America/Chicago:20220825T220000
DTSTAMP:20260407T125524
CREATED:20220819T191844Z
LAST-MODIFIED:20220820T055211Z
UID:15352-1661457600-1661464800@tonemadison.com
SUMMARY:Rooftop Cinema: The Village Detective: A Song Cycle at Madison Museum Of Contemporary Art
DESCRIPTION:Excerpt from Maxwell Courtright‘s review: As any nonfiction filmmaker who’s working with celluloid material must acknowledge\, distinctions between truth and fiction are fraught in the Russian film archive. The Village Detective: A Song Cycle director Bill Morrison notes how staged footage from the third anniversary of 1917’s October Revolution is sometimes treated as footage of the original event; earlier\, Morrison details how the 1917 American film about the death of Rasputin\, The Fall Of The Romanoffs\, co-starred and was guided by Rasputin’s real-life rival Iliodor. This may give a clue as to why Morrison focuses even more than usual on the imperfections of this source material (the original\, recovered 1969 film The Village Detective)\, with several stretches of his film almost Brakhage-like in their splashes of rusty waves that obscure all identifiable figures for minutes on end. This is unvarnished\, a more true” presentation of a film that Morrison belatedly acknowledges exists in other\, cleaner formats; history sits inescapably on the image’s surface.
URL:https://tonemadison.com/event/rooftop-cinema-the-village-detective-a-song-cycle-at-madison-museum-of-contemporary-art/
LOCATION:Madison Museum of Contemporary Art\, 227 State Street\, Madison\, WI\, United States
CATEGORIES:Film
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