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DTSTART;TZID=America/Chicago:20251123T130000
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DTSTAMP:20260404T083532
CREATED:20251119T190551Z
LAST-MODIFIED:20251119T191634Z
UID:24434-1763902800-1763920800@tonemadison.com
SUMMARY:Tone Madison at Scorpio Market
DESCRIPTION:Tone Madison will be tabling at Scorpio Market on Sunday\, November 23\, from 1 to 6 p.m. Come say hi and pick up a copy of our body camera zine or some Tone Madison merch. \nThis Scorpio Market will be the largest of the year\, featuring 60+ artists and local orgs\, free workshops\, fundraisers\, and some extra surprises to celebrate its first anniversary and the community that has supported it along the way. Organized by and for local independent artists\, Scorpio Market aims to improve vending opportunities and accessibility for BIPOC\, queer\, disabled\, and emerging artists while making a positive impact in our community and beyond.
URL:https://tonemadison.com/event/tone-madison-at-scorpio-market/
LOCATION:The Tinsmith\, 828 E. Main St\, Madison\, WI\, 53703\, United States
CATEGORIES:Art,Culture
ATTACH;FMTTYPE=image/png:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2025/11/19125422/Scorpio-Market-header.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250426T110000
DTEND;TZID=America/Chicago:20250426T160000
DTSTAMP:20260404T083532
CREATED:20250402T201820Z
LAST-MODIFIED:20250402T202612Z
UID:22963-1745665200-1745683200@tonemadison.com
SUMMARY:Madison Print & Resist Zinefest 2025
DESCRIPTION:We’ve been experimenting with print media here at Tone Madison\, so we’re thrilled to be a part of this year’s Madison Print & Resist Zinefest. The annual celebration of short-form print media features dozens of vendors from across the Midwest showcasing zines\, comics\, art prints\, and beyond. At Tone Madison‘s table\, we will be debuting a brand-new print issue that builds on one of our ongoing in-depth reporting projects. We’re not spilling all the details yet\, but you can expect a 12-page edition in half-letter zine format. It boasts a short guest essay we’re very excited about\, plus all-new design and illustrations from Tone Madison contributors Kay Reynolds and Andrew Mulhearn. \nWe will also have some free copies left of our December 2024 print edition\, which commemorates Tone Madison‘s 10th anniversary\, plus assorted merch. Stop by and talk with Tone Madison‘s editors throughout the day. And don’t be shy about sharing your feedback—it just might help us figure out where our adventures in print take us next. —Scott Gordon
URL:https://tonemadison.com/event/madison-print-resist-zinefest-2025/
LOCATION:Central Library\, 201 West Mifflin Street\, Madison\, WI\, 53703\, United States
CATEGORIES:Art,Books,Culture,Politics,Tone Madison Events
ATTACH;FMTTYPE=image/jpeg:https://tonemadison.com/wp-content/uploads/2025/04/54308237765_7080883dac_o-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250306T180000
DTEND;TZID=America/Chicago:20250306T200000
DTSTAMP:20260404T083532
CREATED:20250122T060031Z
LAST-MODIFIED:20250121T224249Z
UID:22309-1741284000-1741291200@tonemadison.com
SUMMARY:"The Hivemind Swarmed" book talk at A Room of One's Own
DESCRIPTION:Tone Madison is excited to welcome oral historian and journalist David Wolinsky to Madison on Thursday\, March 6\, for a discussion about his 2024 book The Hivemind Swarmed: Conversations On Gamergate\, The Aftermath\, And The Quest For A Safer Internet. The event\, at A Room of One’s Own Bookstore\, 2717 Atwood Ave.\, starts at 6 p.m. and is free and open to the public. \n\n\n\nAt the event\, Tone Madison publisher Scott Gordon (that’s me!) will interview Wolinsky about this long-in-the-works oral history book\, and the work leading up to it. The Hivemind Swarmed draws on hundreds of interviews to bring together a multitude of perspectives about Gamergate\, an online harassment campaign\, which started in 2014\, and targeted women and minorities in the video gaming world. But it goes far beyond that episode\, exploring the depth of its impact and  implications for the wider world of culture and politics in the ensuing decade. (As the collapse of social media plays out in 2025\, part of the mourning should involve passing the mic to gamers\, who sounded the alarm over a decade ago.) Renowned documentary filmmaker Ken Burns blurbed the book\, writing: “Out of the transient and ephemeral effluvia of the internet comes something ivied\, revelatory\, permanent. Bravo.” \n\n\n\nI’ve known Wolinsky since 2008\, when we both worked at The A.V. Club\, and he’s also contributed to Tone Madison\, including a 2017 report about the local game-development world. Wolinsky\, who is based in the Chicago area\, has focused for more than a decade on independently holding up a much-needed mirror to the video game industry as a whole. His Don’t Die oral history series has gathered long-form interviews he conducted to surface conversations across a kaleidoscope of fields\, contrasting a wide array of game developers and player perspectives with those of journalists and other cultural figures. In 2016\, he self-published a series of in-depth reports on labor practices in the games world. (Full disclosure: I edited that series.) This was ahead of the curve: at the time\, not a lot of publications were interested in this kind of reporting. Today\, unions are a much more prominent force in video games. And it’s become more common to find great journalism about labor in games\, both in legacy media outlets and small upstart publications like the mighty Aftermath. One of the pivotal developments happened right in our backyard\, when workers at Middleton-based Raven Software successfully organized a union in 2022. \n\n\n\nSo\, we’ll have plenty to talk about. Even if you don’t pay much attention to video games\, chances are you’ll find the conversation about online subcultures and their sometimes frightful\, outsized power interesting. (Especially if you’ve been concerned about questions like\, “What is the internet doing to us?”) We hope you can join us. For now\, if you’re curious to learn more\, you can also listen to Sara Gabler’s October 2024 interview with Wolinsky for WORT-FM’s A Public Affair. —Scott Gordon \n\n \nWORT 89.9FM Madison · Searching for Accountability in the Gaming Industry
URL:https://tonemadison.com/event/the-hivemind-swarmed-book-talk-at-a-room-of-ones-own/
LOCATION:A Room of One’s Own\, 2717 Atwood Avenue\, Madison\, 53704\, United States
CATEGORIES:Books,Culture,Politics,Tone Madison Events
ATTACH;FMTTYPE=image/jpeg:https://tonemadison.com/wp-content/uploads/2025/01/hivemind_announce_header.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230525T180000
DTEND;TZID=America/Chicago:20230529T180000
DTSTAMP:20260404T083532
CREATED:20230512T194608Z
LAST-MODIFIED:20230512T194608Z
UID:17451-1685037600-1685383200@tonemadison.com
SUMMARY:WisCon 46 at Madison Concourse Hotel and Central Library
DESCRIPTION:WisCon launched in 1977\, with the goal of tackling “feminist and pointedly left-leaning topics” in science fiction\, that other sci-fi gatherings barely acknowledge. Over the years\, it has welcomed to Madison several of the all-time great sci-fi and fantasy writers: Octavia E. Butler\, Samuel R. Delany\, Nnedi Okorafor\, Kim Stanley Robinson… and the list really does go on. Just as importantly\, WisCon has become a community in and of itself. Attendees from all over gather in Madison annually over Memorial Day Weekend for readings\, panels\, workshops\, and the bestowing of the annual Otherwise Award. It was abundantly clear just how many people in how many places care deeply about WisCon when\, in 2021\, organizers held an emergency fundraising campaign. The fundraiser succeeded\, with vocal support from across the diverse ranks of SFF writers working today. \nSince then\, convention organizers have worked to make the convention more inclusive. They’ve also announced that the con will take a break in 2024 to let its all-volunteer leadership recharge for the future. But for 2023\, the schedule is packed with sessions in the Madison Concourse Hotel’s conference rooms. This year’s WisCon will also keep up the tradition of an opening-night reading\, featuring two guests of honor\, that is free and open even to those who aren’t registered for the con proper. That’s Thursday\, May 25 at 6 p.m. at the Central Library.  \nThis year’s guests are Rivers Solomon and Martha Wells\, and I’m particularly excited to finally get to hear Solomon read. Their 2017 debut novel\, An Unkindness Of Ghosts\, takes place on a generation ship where theocratic tyrants rule over a stratified society of rich whites and a brutally exploited Black underclass. It’s very explicitly the antebellum South in space—humanity recommitting to hierarchy\, cruelty\, and control even as it seeks a second chance among the stars. Its protagonist\, Aster\, is a queer\, neurodivergent outsider among the oppressed\, rebelling against the ship’s viciously regimented social order. It’s devastatingly powerful. So are the two novels that followed An Unkindness Of Ghosts\, 2019’s The Deep (great as a standalone book\, also great as part of a multi-media collaboration with hip-hop group clipping.) and 2021’s Sorrowland. Wells’ body of work spans dozens of sci-fi and fantasy novels\, including the Murderbot Diaries series\, whose 10th installment\, System Collapse\, is due out in November. \n—Scott Gordon \n \nPhoto of Rivers Solomon by Wasi Daniju.
URL:https://tonemadison.com/event/wiscon-46-at-madison-concourse-hotel-and-central-library/
LOCATION:Madison Concourse Hotel\, 1 West Dayton Street\, Madison\, WI\, 53703\, United States
CATEGORIES:Books,Culture
ATTACH;FMTTYPE=image/jpeg:https://tonemadison.com/wp-content/uploads/2023/05/wiscon46_header.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230518T173000
DTEND;TZID=America/Chicago:20230518T190000
DTSTAMP:20260404T083532
CREATED:20230514T015356Z
LAST-MODIFIED:20230516T183159Z
UID:17453-1684431000-1684436400@tonemadison.com
SUMMARY:Storytelling As Advocacy In The Beloved Community at A Room of One's Own
DESCRIPTION:Madison-based author Tegan Nia Swanson’s 2022 debut novel\, Things We Found When The Water Went Down\, starts with the basic elements of a murder mystery: a body\, the cops\, a suspect. From there\, Swanson spirals into the tangled lore of a family and a place. The decaying mine town of Beau Caelais and the Inland Sea it sits on are familiar stand-ins for any number of post-industrial places along the Great Lakes. The map Swanson provides in the book will also remind Madisonians of a less-great but still beloved lake.  \nSwanson fills this setting with an uncanny blend of small-town grudges and righteously wrathful magic. As teenage protagonist Lena Abernathy tries to understand why her mother was arrested for the murder (then escaped from jail and disappeared)\, she uncovers her share of petty human secrets\, but connects with forces far more vast and terrible and beautiful. Swanson’s non-linear storytelling approach lets the reader get richly immersed in the book’s overlapping themes: deep-seated cultures of misogynist violence\, environmental degradation\, and the resilient chosen families queer people build in a hostile world. \nThat’s all just a hint of the depths\, and the depths beyond the depths\, that the novel explores. Things We Found When The Water Went Down reads like a scrapbook of its own mythology. Between passages that Lena narrates in first-person\, other characters leave behind interview transcripts\, newspaper clippings\, cryptic notes\, stately poetic declarations. It’s an approach that may gradually draw in readers who enjoy fantasy novels\, or immersive piece-together-the-story video games like Gone Home and What Remains Of Edith Finch.  \nAt this event\, a fundraiser for Freedom Inc. and UNIDOS (a Madison non-profit serving Latino survivors of domestic violence)\, Swanson will take part in a panel discussion with Freedom Inc.’s Jessica Williams\, UNIDOS’ Virginia Gittens Escudero\, and City of Madison Poet Laureate Angela Trudell Vasquez. Swanson and Vasquez also both work at End Domestic Abuse Wisconsin. The panel\, titled “Storytelling As Advocacy In The Beloved Community\,” will likely draw connections between the novel’s exploration of violence against women and all the panelists’ day-to-day work.  \nOn May 18\, a Room of One’s Own will also be donating 10 percent of all its in-store and online sales to Freedom Inc. and UNIDOS. \n—Scott Gordon \n \nWORT 89.9FM Madison · Madison Book Beat: Tegan Nia Swanson on “Things We Found When The Water Went Down”
URL:https://tonemadison.com/event/storytelling-as-advocacy-in-the-beloved-community-at-a-room-of-ones-own/
LOCATION:A Room of One’s Own\, 2717 Atwood Avenue\, Madison\, 53704\, United States
CATEGORIES:Books,Culture
ATTACH;FMTTYPE=image/jpeg:https://tonemadison.com/wp-content/uploads/2023/05/belovedcommunity_header.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230422T110000
DTEND;TZID=America/Chicago:20230422T160000
DTSTAMP:20260404T083532
CREATED:20230404T171040Z
LAST-MODIFIED:20230419T164307Z
UID:17172-1682161200-1682179200@tonemadison.com
SUMMARY:Madison Print & Resist Zinefest 2023 at Central Library
DESCRIPTION:Resisting with printmaking\, Madison Print & Resist Zinefest is back for its 20th year. Regional artists\, writers\, and printmakers will gather to celebrate the importance of creative and political expression in an array of print media. The event is hosted these days by Communication\, the Madison Public Library’s Bubbler program\, the creative agency UnderBelly\, and ArtWorking\, a local non-profit that works with artists with disabilities. It’s the latest iteration of a pointedly radical print expo that’s evolved through various names\, venues\, and organizing teams over the years. \nAmong the more than 60 exhibiting presses and artists this year are body books\, which creates gender-inclusive and trauma-informed zines in Madison; Late Night Copies\, a Minneapolis-based micro-press that centers queer voices; and Rooster Cow Media\, a micro-label and small press based in Chicago. \nThe individual artists present include Rachel DL\, who writes about disability and chronic illness;\, Dullahan Daydream\, who draws funky little creatures; and Ty Springer\, who creates queer comics. \nThere will be a Zinefest Afterparty at the Bur Oak on April 22  at 7 p.m. with music from Nate Meng & The Stolen Sea and alt-queercore musician Doug Rowe of Woke Up Crying. Admission to the show is on a $5 to $15 sliding scale. \nMadison Print & Resist is also still asking community members to look out for each other’s safety: “Even if not mandated at the time\, there will be strong encouragement for social distancing and masking\,” the event’s website notes. \n—Hannah Keziah Agustin \nPrint & Resist poster art by Jaundy Brunswick.
URL:https://tonemadison.com/event/madison-print-resist-zinefest-2023-at-central-library/
LOCATION:Central Library\, 201 West Mifflin Street\, Madison\, WI\, 53703\, United States
CATEGORIES:Art,Books,Culture
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/04/02124827/printresist2023_header.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230413T190000
DTEND;TZID=America/Chicago:20230420T223000
DTSTAMP:20260404T083532
CREATED:20230413T052857Z
LAST-MODIFIED:20230417T212124Z
UID:17242-1681412400-1682029800@tonemadison.com
SUMMARY:2023 Wisconsin Film Festival at multiple venues
DESCRIPTION:The film festival guide’s cover art by Christina King shows a wildly decadent (and filmic easter egg-stuffed) birthday cake to commemorate the festival’s 25th year. \nThis year is a milestone for the Wisconsin Film Festival in a few ways. First\, 2023 marks the 25th anniversary of a festival that reliably comes through with considerable heft. Second\, this will be the festival’s last time holding a large portion of its screenings at Hilldale\, so next year’s event will likely be a very different experience from those of the past decade. Amid all this\, the festival is also taking new risks\, this time in the form of a sold-out “secret screening” on April 14 at the Marquee in Union South. Programmers have kept the details of this firmly under wraps\, even publishing a playfully redacted entry for the screening in this year’s festival guide. \nMost years\, the festival boasts more than 150 titles spanning international cinema\, narrative features\, documentaries\, “Wisconsin’s Own” films\, restored classics\, experimental short films\, and even some kid-friendly selections—all programmed with an eager embrace of both prestige and sleaze. Tone Madison‘s film team has been digging into the highlights over the past month\, so please make sure to catch up! If you appreciate their work\, help us do more of it by donating to Tone Madison. Your contributions literally help us pay these excellent writers. \n\nTreat yourself to the 2023 Wisconsin Film Festival\nWe like movie posters: A 2023 Wisconsin Film Festival gallery\nThe dead ends of language in the open-ended short film\, Noise\nTrying to reconcile the irreconcilable in Beyond Human Nature\nYoung French Cinema illuminates modern familial complexities\nForm follows function in Geographies Of Solitude and The Tuba Thieves and their sensory studies of the natural world\nThe flourishingly bittersweet I Like It Here captures the golden essence of humanity\nSearing themes and fleeting presences in five 2023 Wisconsin Film Festival selections\nNick Prueher of Found Footage Festival stomps baskets and lawsuits in Chop & Steele\nChandler Levack’s I Like Movies reaches through personal history to find reconciliation\n\n—Scott Gordon
URL:https://tonemadison.com/event/2023-wisconsin-film-festival-at-multiple-venues/
LOCATION:WI
CATEGORIES:Culture,Film
ATTACH;FMTTYPE=image/png:https://tonemadison.com/wp-content/uploads/2023/04/wff2023calendar.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230407T190000
DTEND;TZID=America/Chicago:20230407T210000
DTSTAMP:20260404T083532
CREATED:20230322T151610Z
LAST-MODIFIED:20230322T151610Z
UID:17045-1680894000-1680901200@tonemadison.com
SUMMARY:Michelle Zauner at Barrymore
DESCRIPTION:It’s easy to forget that a book can be as lyrical as a song when one doesn’t have an audible melody accompanying the reading experience. Michelle Zauner’s 2021 memoir Crying In H Mart\, however\, proves the indelible\, inherent musicality of literature.  \nIn her debut book\, Zauner—known as Japanese Breakfast to legions of indie-pop fans—tells stories of growing up and subsequently growing distant from her Koreanness. When Zauner’s mother\, her central connection to Korea\, is diagnosed with terminal cancer\, she is forced to reckon with and reclaim her identity at age 25. \nCrying In H Mart will feel familiar to fans of Japanese Breakfast\, accustomed as they are to Zauner’s penchant for transforming the gravest feelings of love\, loss\, and regret into verse of complex sensitivity. Whether she is exploring what it means to be Korean in America\, the power of food to connect people\, mother-daughter relationships\, or the trials of adolescence\, attendees at this Wisconsin Book Festival talk (moderated by Emily Mills) are sure to recognize a form of literary talent that facilitates kinship across boundaries and social categories. \n“I remember these things clearly because that was how my mother loved you\, not through white lies and constant verbal affirmation\, but in subtle observations of what brought you joy\, pocketed away to make you feel comforted and cared for without even realizing it\,” she writes of her mother’s ability to remember just how much salt someone wanted in their broth\, or if they hated tomatoes.  \nThis Wisconsin Book Festival-presented talk will likely not be the last time people hear and indulge in the narratives of Crying In H Mart: Will Sharpe\, of recent White Lotus notoriety\, is slated to direct its film adaptation. As a Japanese-English filmmaker himself\, Sharpe told People that he found the memoir “universal in its specificity.”  \n—Alisyn Amant \n \nPhoto by Barbora Mrazkova.
URL:https://tonemadison.com/event/michelle-zauner-at-barrymore/
LOCATION:Barrymore\, 2090 Atwood Avenue\, Madison\, WI\, 53704\, United States
CATEGORIES:Books,Culture
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/03/02124904/zauner_header.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230330T183000
DTEND;TZID=America/Chicago:20230330T200000
DTSTAMP:20260404T083532
CREATED:20230313T163853Z
LAST-MODIFIED:20230313T163853Z
UID:16944-1680201000-1680206400@tonemadison.com
SUMMARY:Wonder\, Weirdness And Writing About Animals at Goodman Community Center
DESCRIPTION:The first thing I did when I finished Sabrina Imbler’s new book was run to Room of One’s Own and buy a second copy to share with friends. The book\, How Far The Light Reaches\, explores what it means to be a human—specifically\, what it means to be a queer\, Asian-American human—through Imbler’s memories and the lives of 10 sea creatures. \nImbler—who currently works the “creature beat” for Defector\, combining deep scientific context with that publication’s spirit of zany obsession\, and has also published work in The New York Times\, Atlas Obscura\, and The Atlantic—is coming to UW-Madison in late March as the Sharon Dunwoody Science Journalist in Residence. On March 30 at 6:30 p.m.\, they will participate in a panel discussion at the Goodman Community Center titled “Wonder\, Weirdness And Writing About Animals.” Panelists will also include Stacy Forster\, from the UW-Madison School of Journalism and Mass Communication\, and Mary Magnuson\, a graduate student who studies urban canids like coyotes and foxes. \nImbler’s work brings us into the deep at the time we need it most. So many beautiful possibilities for our collective future depend upon humans’ ability to recognize that every part of our world is alive and worthy of protection and celebration. In their writing\, Imbler brings us face to face with mothering octopus arms reaching out to hold us\, gooey salps that dance in community\, feral goldfish that gobble up space when set free\, and shows us how magnificent we really are. \nIf the panel at the Goodman Center is half as good as How Far The Light Reaches\, everyone in attendance will leave transformed and ready to build expansive\, loving communities in Madison and beyond. \n—Sam Harrington
URL:https://tonemadison.com/event/wonder-weirdness-and-writing-about-animals-at-goodman-community-center/
LOCATION:Goodman Community Center\, 214 Waubesa Street\, Madison\, WI\, United States
CATEGORIES:Culture
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/03/02124928/imbler_header.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230330T173000
DTEND;TZID=America/Chicago:20230401T213000
DTSTAMP:20260404T083532
CREATED:20230324T233809Z
LAST-MODIFIED:20230324T233809Z
UID:17089-1680197400-1680384600@tonemadison.com
SUMMARY:Line Breaks Festival at Memorial Union and A Room of One's Own
DESCRIPTION:The annual Line Breaks Festival offers an ever-shifting testament to the bold visions of the students in UW-Madison’s First Wave program. Rooted in hip-hop and spoken-word\, First Wave attracts artists who tend to mix together all sorts of disciplines\, from theater to dance to fashion to visual art. As a result\, the alumni who’ve come through the program since it launched in 2007 cover extensive ground: Poet Danez Smith\, Black Arts Matter Festival founder Shasparay Irvin\, writer/musician Hiwot Adilow\, dancer/rapper/filmmaker James Gavins\, blisteringly focused MCs like Defcee and CRASHprez\, and that’s barely scratching the surface. \nThe Line Breaks schedule is a bit different each time out\, but you can always count on showcases of multiple works from current First Wave students\, alums\, and some exciting guests. Visiting this year from Chicago is poet and scholar Eve L. Ewing\, whose published works include the poetry/visual art collection Electric Arches and the nonfiction book Ghosts In The Schoolyard\, which examines the decimation of Chicago’s south-side public schools under the mayoral administration of Rahm Emanuel. Another can’t-miss guest this year is Chicago singer-songwriter\, poet\, and playwright Jamila Woods—if you haven’t heard her expansive take on R&B on 2019’s LEGACY! LEGACY!\, do yourself a kindness and catch up. \nRegistration is already full for a March 30 talk with Ewing and poet/UW-Madison professor Paul Tran at A Room of One’s Own—but you can still register for the waitlist. Either way\, don’t fret: The real heart of Line Breaks is the performance showcases\, taking place this year on March 31 and April 1\, both nights at 6 p.m. in the Union Theater. Across these two nights\, performers will include Diya Abbas\, Azura Tyabji\, Jackson Neal\, Shasparay Irvin\, Nate Marshall\, Woods\, and Ewing\, among others. Trying to succinctly sum up just what you’ll be seeing here is beside the point. Instead\, just set aside any expectations and get ready to embrace a remarkably fertile overlap of words\, movement\, music\, narrative\, and the myriad ways they can be combined. \n—Scott Gordon \nIllustration by Shaysa Sidebottom.
URL:https://tonemadison.com/event/line-breaks-festival-at-memorial-union-and-a-room-of-ones-own/
LOCATION:Wisconsin Union Theater\, 800 Langdon Street\, Madison\, WI\, 53706\, United States
CATEGORIES:Books,Culture,Music,Poetry
ATTACH;FMTTYPE=image/png:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2022/08/02125524/music-block-tone-2000x1500-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230315T190000
DTEND;TZID=America/Chicago:20230315T203000
DTSTAMP:20260404T083532
CREATED:20230310T175039Z
LAST-MODIFIED:20230622T231855Z
UID:16925-1678906800-1678912200@tonemadison.com
SUMMARY:Project Projection: Spring 2023 at Arts + Literature Laboratory
DESCRIPTION:Alex T. Jacobs colorfully modifies the halo of a streetlamp (with outward-moving reds\, greens\, yellows\, and blues) on a snowy night in the short “snow light” (2023). \nThe Mills Folly Microcinema series returns this week at Arts + Literature Laboratory for 2023’s first installment of Project Projection\, its wide-ranging\, seasonal showcase of film and video shorts by Madison-based filmmakers. This program’s 14 films fall roughly into two categories; the first of these is music videos\, and any fan of Madison music will find something to love in the selections’ diversity of musical genres and visual styles. ViBRATiONLAND’s video for “Stabacab” (dir. Eric J. Nelson) may take the cake for most ingenious of the bunch\, using everyday objects like a CPAP tube and silly putty to make an alternately adorable and horrifying piece of stop-motion creature horror. \nMoving further into pure abstraction\, B. Hayes’ video for “Ovation” (dir. Max Wasinger and Peregrine Balas) is similarly visually voracious\, with its collaged and datamoshed black-and-white footage smearing into gorgeous swirls. The only non-contemporary piece on the program\, Gretta Wing Miller’s Man In Space (1981) splits the difference between the musical pieces and the rest of the video work\, editing spacewalk footage to Beatles songs and reveling in nostalgia for the late ’60s. \nFor the other half of the works\, experimental video like David Boffa’s A Due Remembrance Of Wolves (2021) takes the mantle. This minimalist nature doc trains its eye on two wolves at their leisure for most of its runtime; a narrator reads 19th century texts on the danger of the animal\, usually offering bounties for hunters to exterminate the “vermin.” This penchant for appropriated text is shared by another standout of the program\, Chloë Simmons’ Passing Through (2020)\, with its short GIF-like loops that are littered with digital detritus as scrolling words recite the textbook definitions of broad concepts like cause and effect\, truth\, and signs. Simmons’ piece is  dense and heady\, but also one that skillfully explores its title’s double entendres with a thoughtful reflection on queer identity. \nSome other videos are more abstract\, content to explore an aesthetic for its own sake like in Alex T. Jacobs’ serene snow light (2023). As ambient-treated piano rolls underneath the eight-minute shot of a streetlight under snowfall\, Jacobs manipulates the footage so that the light’s halo expands into a dazzling pixelated rainbows. It’s one of the simplest works on the program\, but one that ties it all together in highlighting both the natural beauty and artistic skill that can be found in Madison. \n—Maxwell Courtright
URL:https://tonemadison.com/event/project-projection-spring-2023-at-arts-literature-laboratory/
LOCATION:Arts + Literature Laboratory\, 111 South Livingston Street\, Madison\, WI\, 53703\, United States
CATEGORIES:Culture,Film
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/03/02124936/snowlight-eventhed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230204T140000
DTEND;TZID=America/Chicago:20230204T153000
DTSTAMP:20260404T083532
CREATED:20230130T083839Z
LAST-MODIFIED:20230622T232152Z
UID:16698-1675519200-1675524600@tonemadison.com
SUMMARY:Encore In Black And White at Mary Dupont Wahlers Theatre
DESCRIPTION:A still from “Elephant In The Room” features three actors. Rikki Christman (right) points a toy gun at Joe Wahlers (left\, seated). James Burreson stands cloaked in the shadows near the center of the frame in front of a vintage coffee shop backdrop. \nEncore Studio For The Performing Arts celebrates their 23rd year as Wisconsin’s premier theater company for people with disabilities with a four-film\, 75-minute suite that pays homage to silent and early sound era cinema. “Encore In Black And White” premiered at the Mary DuPont Wahlers Theatre (just off of Fish Hatchery Road) on Friday night\, January 27. It continues across four additional days (January 28 and 29 at 2 p.m.\, February 3 at 8 p.m.\, and February 4 at 2 p.m.). Tickets are available directly through Encore as suggested donations of $15 per general patron\, and $5 for people with disabilities\, students\, and seniors. \nWorking with four different writers riffing on four archetypal genres from the dawn of modern cinema\, universal director Heather Renken has an exemplary opportunity under this program’s umbrella to exhibit her experience and insight with local actors\, not only in longstanding connections to Encore Studio (serving as artistic associate for over a decade)\, but with Broom Street Theater and Children’s Theater Of Madison as well. \nRenken contributed on the writing side to the third short\, a colorful spin on noir tropes titled Elephant In The Room. In her recent interview with Channel 3000‘s Doug Moe\, Renken graciously cites Encore actor James Burreson’s passion for detective stories as the catalyst to its realization. \nOther screenwriters who helped bring “Encore In Black In White” to fruition include Clarice Lafayette\, who wrote the zippy piece of horror that opens the night\, Redemption. Sarah Jo Schoenhaar’s take on century-old slapstick emerges in Bona Fide\, and KelsyAnne Schoenhaar’s witty musical comedy of To Heiress Human closes the screening event on a spirited note (literally). Stick around afterward for a Q&A with the cast and crew. \n—Grant Phipps
URL:https://tonemadison.com/event/encore-in-black-and-white-at-mary-dupont-wahlers-theatre-4/
LOCATION:Mary Dupont Wahlers Theatre\, 1480 Martin St\, Madison\, WI\, 53713\, United States
CATEGORIES:Culture,Film
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125054/encore-elephantintheroom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230203T200000
DTEND;TZID=America/Chicago:20230203T213000
DTSTAMP:20260404T083532
CREATED:20230130T083406Z
LAST-MODIFIED:20230622T232157Z
UID:16697-1675454400-1675459800@tonemadison.com
SUMMARY:Encore In Black And White at Mary Dupont Wahlers Theatre
DESCRIPTION:A still from “Elephant In The Room” features three actors. Rikki Christman (right) points a toy gun at Joe Wahlers (left\, seated). James Burreson stands cloaked in the shadows near the center of the frame in front of a vintage coffee shop backdrop. \nEncore Studio For The Performing Arts celebrates their 23rd year as Wisconsin’s premier theater company for people with disabilities with a four-film\, 75-minute suite that pays homage to silent and early sound era cinema. “Encore In Black And White” premiered at the Mary DuPont Wahlers Theatre (just off of Fish Hatchery Road) on Friday night\, January 27. It continues across four additional days (January 28 and 29 at 2 p.m.\, February 3 at 8 p.m.\, and February 4 at 2 p.m.). Tickets are available directly through Encore as suggested donations of $15 per general patron\, and $5 for people with disabilities\, students\, and seniors. \nWorking with four different writers riffing on four archetypal genres from the dawn of modern cinema\, universal director Heather Renken has an exemplary opportunity under this program’s umbrella to exhibit her experience and insight with local actors\, not only in longstanding connections to Encore Studio (serving as artistic associate for over a decade)\, but with Broom Street Theater and Children’s Theater Of Madison as well. \nRenken contributed on the writing side to the third short\, a colorful spin on noir tropes titled Elephant In The Room. In her recent interview with Channel 3000‘s Doug Moe\, Renken graciously cites Encore actor James Burreson’s passion for detective stories as the catalyst to its realization. \nOther screenwriters who helped bring “Encore In Black In White” to fruition include Clarice Lafayette\, who wrote the zippy piece of horror that opens the night\, Redemption. Sarah Jo Schoenhaar’s take on century-old slapstick emerges in Bona Fide\, and KelsyAnne Schoenhaar’s witty musical comedy of To Heiress Human closes the screening event on a spirited note (literally). Stick around afterward for a Q&A with the cast and crew. \n—Grant Phipps
URL:https://tonemadison.com/event/encore-in-black-and-white-at-mary-dupont-wahlers-theatre-3/
LOCATION:Mary Dupont Wahlers Theatre\, 1480 Martin St\, Madison\, WI\, 53713\, United States
CATEGORIES:Culture,Film
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125054/encore-elephantintheroom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230128T140000
DTEND;TZID=America/Chicago:20230129T153000
DTSTAMP:20260404T083532
CREATED:20230120T210051Z
LAST-MODIFIED:20230622T232242Z
UID:16663-1674914400-1675006200@tonemadison.com
SUMMARY:Encore In Black And White at Mary Dupont Wahlers Theatre
DESCRIPTION:A still from “Elephant In The Room” features three actors. Rikki Christman (right) points a toy gun at Joe Wahlers (left\, seated). James Burreson stands cloaked in the shadows near the center of the frame in front of a vintage coffee shop backdrop. \nEncore Studio For The Performing Arts celebrates their 23rd year as Wisconsin’s premier theater company for people with disabilities with a four-film\, 75-minute suite that pays homage to silent and early sound era cinema. “Encore In Black And White” premiered at the Mary DuPont Wahlers Theatre (just off of Fish Hatchery Road) on Friday night\, January 27. It continues across four additional days (January 28 and 29 at 2 p.m.\, February 3 at 8 p.m.\, and February 4 at 2 p.m.). Tickets are available directly through Encore as suggested donations of $15 per general patron\, and $5 for people with disabilities\, students\, and seniors. \nWorking with four different writers riffing on four archetypal genres from the dawn of modern cinema\, universal director Heather Renken has an exemplary opportunity under this program’s umbrella to exhibit her experience and insight with local actors\, not only in longstanding connections to Encore Studio (serving as artistic associate for over a decade)\, but with Broom Street Theater and Children’s Theater Of Madison as well. \nRenken contributed on the writing side to the third short\, a colorful spin on noir tropes titled Elephant In The Room. In her recent interview with Channel 3000‘s Doug Moe\, Renken graciously cites Encore actor James Burreson’s passion for detective stories as the catalyst to its realization. \nOther screenwriters who helped bring “Encore In Black In White” to fruition include Clarice Lafayette\, who wrote the zippy piece of horror that opens the night\, Redemption. Sarah Jo Schoenhaar’s take on century-old slapstick emerges in Bona Fide\, and KelsyAnne Schoenhaar’s witty musical comedy of To Heiress Human closes the screening event on a spirited note (literally). Stick around afterward for a Q&A with the cast and crew. \n—Grant Phipps
URL:https://tonemadison.com/event/encore-in-black-and-white-at-mary-dupont-wahlers-theatre-2/
LOCATION:Mary Dupont Wahlers Theatre\, 1480 Martin St\, Madison\, WI\, 53713\, United States
CATEGORIES:Culture,Film
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125054/encore-elephantintheroom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230127T200000
DTEND;TZID=America/Chicago:20230127T213000
DTSTAMP:20260404T083532
CREATED:20230120T205610Z
LAST-MODIFIED:20230622T232302Z
UID:16662-1674849600-1674855000@tonemadison.com
SUMMARY:Encore In Black And White at Mary Dupont Wahlers Theatre
DESCRIPTION:A still from “Elephant In The Room” features three actors. Rikki Christman (right) points a toy gun at Joe Wahlers (left\, seated). James Burreson stands cloaked in the shadows near the center of the frame in front of a vintage coffee shop backdrop. \nEncore Studio For The Performing Arts celebrates their 23rd year as Wisconsin’s premier theater company for people with disabilities with a four-film\, 75-minute suite that pays homage to silent and early sound era cinema. “Encore In Black And White” premieres at the Mary DuPont Wahlers Theatre (just off of Fish Hatchery Road) on Friday night\, January 27\, and continues across four additional days (January 28 and 29 at 2 p.m.\, February 3 at 8 p.m.\, and February 4 at 2 p.m.). Tickets are available directly through Encore as suggested donations of $15 per general patron\, and $5 for people with disabilities\, students\, and seniors. \nWorking with four different writers riffing on four archetypal genres from the dawn of modern cinema\, universal director Heather Renken has an exemplary opportunity under this program’s umbrella to exhibit her experience and insight with local actors\, not only in longstanding connections to Encore Studio (serving as artistic associate for over a decade)\, but with Broom Street Theater and Children’s Theater Of Madison as well. \nRenken contributed on the writing side to the third short\, a colorful spin on noir tropes titled Elephant In The Room. In her recent interview with Channel 3000‘s Doug Moe\, Renken graciously cites Encore actor James Burreson’s passion for detective stories as the catalyst to its realization. \nOther screenwriters who helped bring “Encore In Black In White” to fruition include Clarice Lafayette\, who wrote the zippy piece of horror that opens the night\, Redemption. Sarah Jo Schoenhaar’s take on century-old slapstick emerges in Bona Fide\, and KelsyAnne Schoenhaar’s witty musical comedy of To Heiress Human closes the screening event on a spirited note (literally). Stick around afterward for a Q&A with the cast and crew. \n—Grant Phipps
URL:https://tonemadison.com/event/encore-in-black-and-white-at-mary-dupont-wahlers-theatre/
LOCATION:Mary Dupont Wahlers Theatre\, 1480 Martin St\, Madison\, WI\, 53713\, United States
CATEGORIES:Culture,Film
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125054/encore-elephantintheroom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230107T200000
DTEND;TZID=America/Chicago:20230107T210000
DTSTAMP:20260404T083532
CREATED:20230102T201532Z
LAST-MODIFIED:20230103T011925Z
UID:16610-1673121600-1673125200@tonemadison.com
SUMMARY:Ghost Wars at MMSD Planetarium
DESCRIPTION:A mockup by Thomas Ferrella from “Ghost Wars\,” featuring a US dollar scorched in bright red and etched with atom bomb symbols over its Federal Reserve seals. \nEach winter seems to facilitate a new live multimedia collaboration between video artist and cinematographer Aaron Granat and multi-hyphenate BlueStem Jazz curator and co-founder Thomas Ferrella. From Mindstorm at the Madison Metropolitan School District (MMSD) Planetarium in March 2020 to Shadowlands at Garver Feed Mill in February 2021\, the two have been concocting psychedelic whirlwinds of ecstatic digital visuals and and jazz-inspired electroacoustic soundscapes (led by Ferrella’s “sonic frontiers collective” You Of All People). \nTheir newest project\, Ghost Wars\, premiered at Gallery Marzen in May 2022\, but now returns to the MMSD Planetarium here\, on the nights of January 6 and 7 (both starting at 8 p.m.)\, with a decidedly incendiary political angle. If Shadowlands (part of the Winter Is Alive cooler world carnival of 2021) delved into changing wetland ecosystems in both the abstract and on vividly literal terms\, Ghost Wars pushes boundaries further in its rippling raze of the personal and public desolations of late capitalism and endless war. Its imagery\, crafted or shot by Ferrella and manipulated by Granat in real time\, draws upon familiar totems and symbols (Ferrella’s art prints\, for one) to metamorphose a tapestry of American avarice and strife. As evidenced in a short preview below\, some of the stark visual components permeating the frame involve the atom bomb-etched American dollar bills sewn into the national flag. \nAlong with You Of All People’s extended technique and effects-laden spoken word providing the melodies and textures to this live brew under the Planetarium dome\, Granat and Ferrella have enlisted other local allies to enhance the breadth of the live spectacle—including Kit Caldwell (costume design)\, Ian Van D. (sculptural performance)\, and Lauren Lynch (choreography). \nAll proceeds from both unique hour-long performances will benefit the Madison chapter of Friends Of Ukraine. \n—Grant Phipps
URL:https://tonemadison.com/event/ghost-wars-at-mmsd-planetarium-2/
LOCATION:MMSD Planetarium\, 201 South Gammon Road\, Madison\, WI\, 53717\, United States
CATEGORIES:Culture,Film,Music
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125116/ghostwars-tonehed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230106T200000
DTEND;TZID=America/Chicago:20230106T210000
DTSTAMP:20260404T083532
CREATED:20230101T220353Z
LAST-MODIFIED:20230103T011845Z
UID:16608-1673035200-1673038800@tonemadison.com
SUMMARY:Ghost Wars at MMSD Planetarium
DESCRIPTION:A mockup by Thomas Ferrella from “Ghost Wars\,” featuring a US dollar scorched in bright red and etched with atom bomb symbols over its Federal Reserve seals. \nEach winter seems to facilitate a new live multimedia collaboration between video artist and cinematographer Aaron Granat and multi-hyphenate BlueStem Jazz curator and co-founder Thomas Ferrella. From Mindstorm at the Madison Metropolitan School District (MMSD) Planetarium in March 2020 to Shadowlands at Garver Feed Mill in February 2021\, the two have been concocting psychedelic whirlwinds of ecstatic digital visuals and and jazz-inspired electroacoustic soundscapes (led by Ferrella’s “sonic frontiers collective” You Of All People). \nTheir newest project\, Ghost Wars\, premiered at Gallery Marzen in May 2022\, but now returns to the MMSD Planetarium here\, on the nights of January 6 and 7 (both starting at 8 p.m.)\, with a decidedly incendiary political angle. If Shadowlands (part of the Winter Is Alive cooler world carnival of 2021) delved into changing wetland ecosystems in both the abstract and on vividly literal terms\, Ghost Wars pushes boundaries further in its rippling raze of the personal and public desolations of late capitalism and endless war. Its imagery\, crafted or shot by Ferrella and manipulated by Granat in real time\, draws upon familiar totems and symbols (Ferrella’s art prints\, for one) to metamorphose a tapestry of American avarice and strife. As evidenced in a short preview below\, some of the stark visual components permeating the frame involve the atom bomb-etched American dollar bills sewn into the national flag. \nAlong with You Of All People’s extended technique and effects-laden spoken word providing the melodies and textures to this live brew under the Planetarium dome\, Granat and Ferrella have enlisted other local allies to enhance the breadth of the live spectacle—including Kit Caldwell (costume design)\, Ian Van D. (sculptural performance)\, and Lauren Lynch (choreography). \nAll proceeds from both unique hour-long performances will benefit the Madison chapter of Friends Of Ukraine. \n—Grant Phipps
URL:https://tonemadison.com/event/ghost-wars-at-mmsd-planetarium/
LOCATION:MMSD Planetarium\, 201 South Gammon Road\, Madison\, WI\, 53717\, United States
CATEGORIES:Culture,Film,Music
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125116/ghostwars-tonehed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230105T200000
DTEND;TZID=America/Chicago:20230105T233000
DTSTAMP:20260404T083532
CREATED:20230101T214225Z
LAST-MODIFIED:20230101T214647Z
UID:16607-1672948800-1672961400@tonemadison.com
SUMMARY:Sex Ed Disco Dance Party at Crucible
DESCRIPTION:A cropped version of Sruti Mohan and Elliot Jewell’s very late ’70s-designed event flyer with a prominent disco ball and rainbow. \nThe first couple weeks of the new year after the holidays can often feel muted\, introspective\, and distinctively less cheery by comparison. But consider the colorful cure for those midwinter blues at the Crucible’s Sex Ed Disco Dance Party this Thursday night\, which unites a number of Madison creatives in a fundraiser for a new\, vital documentary by videographer and filmmaker Gracie K Wallner. \nSince last year\, Wallner (Winter Is Alive\, Blood Runs Out) has been assembling a work that champions queer and inclusive sex education in our community. Not only have they gathered friends to help spread the word\, including Docx\, French Jessica\, as well as DJs Sarah Akawa\, Avalon\, and Coop there it is\, but also arranged for this event to offer safe sex supplies (courtesy of OutReach LGBTQ+ Community Center)\, paper resources\, themed cookies (confections by Blue Bedroom Records founder Cam Davis)\, and even a runway costume contest. \nWhile the doc is still in production\, it features LGBTQ+ AODA Advocate Linda Lenzke and many other active members specific to the Madison community\, including educators\, therapists\, and historians\, who shed a light on the hidden history\, changing landscape\, and universal need for queer sex education. \nAcknowledging the superlative character of Wallner’s past work\, which has oscillated between narrative and documentary modes\, their current project will undoubtedly carry a similarly sophisticated visual style and conscientious eye. Funds raised at this groovy 18+ danceathon will support all of Wallner’s efforts with interviews\, clearing image copyrights\, and commissioning original artwork. \n—Grant Phipps
URL:https://tonemadison.com/event/sex-ed-disco-dance-party-at-crucible/
LOCATION:Crucible\, 3116 Commercial Avenue\, Madison\, WI\, 53714\, United States
CATEGORIES:Culture,Film,Music
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125116/sexeddisco-tonehed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221114T180000
DTEND;TZID=America/Chicago:20221114T210000
DTSTAMP:20260404T083532
CREATED:20221111T204823Z
LAST-MODIFIED:20221111T204823Z
UID:16318-1668448800-1668459600@tonemadison.com
SUMMARY:A Community Conversation And Performance: What Is A Woman? Reconstructing And Redefining at Memorial Union Rathskeller
DESCRIPTION:UW-Madison’s Social Justice Hub and the Trans Advocacy Madison group aim to unpack “how socially constructed definitions [of gender] are counterproductive” at this event\, which will combine a facilitated community discussion and an open mic. (Those interested in participating can reach out to the event’s organizers at sjhevents@studentaffairs.wisc.edu; the event is open to “performances of any type”). While the organizers didn’t want to simply put on a reactive event\, this one is especially welcome in light of the rash of transphobia Madison and the campus have experienced over the past year. From a full-on TERF conference to bigoted chalk messages to fascist goon Matt Walsh’s October visit to UW-Madison\, the need for community and solidarity is as urgent as it’s ever been. The poke at Walsh’s grossly manipulative propaganda film is hard to miss in the event’s title\, but the spirit of the event is more proactive than just a response. \n—Scott Gordon
URL:https://tonemadison.com/event/a-community-conversation-and-performance-what-is-a-woman-reconstructing-and-redefining-at-memorial-union-rathskeller/
LOCATION:Memorial Union Rathskeller\, 800 Langdon St\, Madison\, WI\, 53706\, United States
CATEGORIES:Culture,Politics
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2022/11/02125227/communityconversation_header.jpg
END:VEVENT
END:VCALENDAR