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SUMMARY:Kel Mur: Converge at Pyle Center
DESCRIPTION:Soft bodies clasp together like puzzle pieces in Converge: Studies Of Cohabitation\,  a show in which multimedia conceptual artist Kel Mur explores what it means to share a home with her romantic partner. By displaying plaster molds of their bodies wrapped around each other\, with strips of bedsheets soaked in wax enveloping them\, Mur demonstrates the tension between the resilience and tenderness of a relationship. Wax as a material is soft and pliable when it is warm. But when it is cold\, it is hard and easily breakable. Love can be understood the same way. And these sculptures painstakingly capture the fineness of this level of intimacy. \nMur likens the different studies to a cocoon—something that encloses another thing to protect it. The lovers\, in all their tenderness\, try to defend one another. Their limbs are wrapped around each other’s backs as armor. The ethos of the artwork is unflinching and unafraid. It shows how living together involves building a safe space that cultivates change and growth for people\, much like a chrysalis. It is permeable and vulnerable but still has the capacity to hold those inside it. As the people inside grow together in and around each other\, the cocoon grows around them as well. The home adapts and this is seen in the ways the figures shift and change around the space. \nWhat strikes me most about Converge is how it points us to our capacity for grace and mercy. We come together in our frailness\, humanity\, and vulnerability and hold tightly to the ones we love until we feel their hearts beating close to ours. It is a great risk\, but I forget it as soon as I see the two become one. When I see the figures\, I can imagine them breathing one another’s air\, living in one another’s skin\, and I remember the joy of knowing and being known by someone so deeply that we live and move and have our being in them and with them. Oh\, what beauty. \n—Hannah Keziah Agustin \nNote: Gallery hours for this show are 7 a.m. to 4 p.m. during the week and during special events on weekends and evenings.
URL:https://tonemadison.com/event/kel-mur-converge-at-pyle-center/
LOCATION:Pyle Center\, 702 Langdon Street\, Madison\, 53706\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/02/02125017/kelmur_header-copy.jpg
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SUMMARY:Disaster Passport ("Koyaanisqatsi" screening with live score)\, Faux Fawn at Bur Oak
DESCRIPTION:Madison band Disaster Passport has built up a dedicated local following by doing something that looks downright absurd in theory: writing its own score to a film (Koyaanisqatsi) that already has a score (by Philip Glass)—one so iconic that it’s hard to separate the music from the core experience. Back in 2018\, the four-piece began playing live shows accompanying Godfrey Reggio’s experimental 1982 docu-portrait of a world barreling toward environmental collapse. \nRather than re-interpreting the towering choral themes and kinetic orchestration of Glass’ original score\, or even particularly taking cues from it\, Disaster Passport started from scratch. Banjos (Andy Moore and Colin Crowley)\, baritone guitar (Karl Christenson of Cribshitter)\, drums\, and loops (both from Luke Bassuener of Asumaya) offer viewers a more rambling\, ruminative path into the film. (Full disclosure: Moore is a Tone Madison contributor.) \nReggio’s editing style moves Koyaanisqatsi along at a nimble and at times fevered pace. Sure\, it was initially intended to go along with Glass’ music—but when a film is so packed with rhythmic cues and powerful\, wordless messages\, why shouldn’t other musicians offer a different kind of interplay entirely? Disaster Passport composed the score over the course of eight months\, but audiences can hear improvisational elements evolve and shift from one performance to the next\, as the musicians respond to  the film’s rich layers. \nAt this show\, Stoughton-based singer-songwriter Paul Otteson and his band Faux Fawn will open things up. Expect a set of tender\, poignant folk songs with their own kind of cinematic scope. \n—Scott Gordon \nScore by Disaster Passport \nPhoto by Audre Rae Photography.
URL:https://tonemadison.com/event/disaster-passport-koyaanisqatsi-screening-with-live-score-faux-fawn-at-bur-oak/
LOCATION:Bur Oak\, 2262 Winnebago St\, Madison\, WI\, 53704\, United States
CATEGORIES:Film,Music
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