BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Tone Madison - ECPv6.15.12.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://tonemadison.com
X-WR-CALDESC:Events for Tone Madison
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230201T080000
DTEND;TZID=America/Chicago:20230223T160000
DTSTAMP:20260403T131928
CREATED:20230209T160235Z
LAST-MODIFIED:20230209T194930Z
UID:16769-1675238400-1677168000@tonemadison.com
SUMMARY:Kel Mur: Converge at Pyle Center
DESCRIPTION:Soft bodies clasp together like puzzle pieces in Converge: Studies Of Cohabitation\,  a show in which multimedia conceptual artist Kel Mur explores what it means to share a home with her romantic partner. By displaying plaster molds of their bodies wrapped around each other\, with strips of bedsheets soaked in wax enveloping them\, Mur demonstrates the tension between the resilience and tenderness of a relationship. Wax as a material is soft and pliable when it is warm. But when it is cold\, it is hard and easily breakable. Love can be understood the same way. And these sculptures painstakingly capture the fineness of this level of intimacy. \nMur likens the different studies to a cocoon—something that encloses another thing to protect it. The lovers\, in all their tenderness\, try to defend one another. Their limbs are wrapped around each other’s backs as armor. The ethos of the artwork is unflinching and unafraid. It shows how living together involves building a safe space that cultivates change and growth for people\, much like a chrysalis. It is permeable and vulnerable but still has the capacity to hold those inside it. As the people inside grow together in and around each other\, the cocoon grows around them as well. The home adapts and this is seen in the ways the figures shift and change around the space. \nWhat strikes me most about Converge is how it points us to our capacity for grace and mercy. We come together in our frailness\, humanity\, and vulnerability and hold tightly to the ones we love until we feel their hearts beating close to ours. It is a great risk\, but I forget it as soon as I see the two become one. When I see the figures\, I can imagine them breathing one another’s air\, living in one another’s skin\, and I remember the joy of knowing and being known by someone so deeply that we live and move and have our being in them and with them. Oh\, what beauty. \n—Hannah Keziah Agustin \nNote: Gallery hours for this show are 7 a.m. to 4 p.m. during the week and during special events on weekends and evenings.
URL:https://tonemadison.com/event/kel-mur-converge-at-pyle-center/
LOCATION:Pyle Center\, 702 Langdon Street\, Madison\, 53706\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/02/02125017/kelmur_header-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230202T190000
DTEND;TZID=America/Chicago:20230202T204000
DTSTAMP:20260403T131928
CREATED:20230126T195639Z
LAST-MODIFIED:20230622T232228Z
UID:16687-1675364400-1675370400@tonemadison.com
SUMMARY:Aftersun at UW Cinematheque
DESCRIPTION:Sophie (Frankie Corio) hugs her father (Paul Mescal) as they dance together on the last night of their vacation in Turkey. \nKids never really know their parents as people. Of course\, as one gets older\, it’s a nearly universal experience to collect bits and pieces of adulthood’s realities\, family secrets\, and an awareness of mortality that ultimately bring one closer to understanding a caretaker as human. But before that transformative coming-of-age symptom makes itself felt\, mothers and fathers tend to be figures filtered through the pristine eyes of childhood. \nCharlotte Wells’ astonishing directorial debut\, Aftersun (2022)\, explores how to reconcile those hazy\, naïve memories and beliefs of adolescence with the hardened knowledge of maturity brought on by loss and aging. The film follows both the 11- and 31-year old versions of Sophie Paterson (Frankie Corio and Celia Rowlson-Hall\, respectively) as she recalls a vacation to Turkey with her father\, Calum (Paul Mescal)\, in the early 2000s. The trip marked Calum’s 31st birthday and\, fatefully\, the last time Sophie ever saw him.  \nWells gives her audience the same tools to grasp Calum’s humanity as the two iterations of Sophie: footage from an old camcorder\, recollections of instances where Calum’s carefree façade crumbles\, and a rave-like liminal space that serves as a touchpoint for Sophie to attempt to reconnect with her younger self and a father she hasn’t seen in 20 years. With this framework—and a breathtaking performance by Mescal that just earned him an Academy Award nomination for best actor—Aftersun easily earns its place among the best films of last year\, most appropriately featured here in UW Cinematheque’s “Best Of 2022″ series. \n—Alisyn Amant
URL:https://tonemadison.com/event/aftersun-at-uw-cinematheque/
LOCATION:UW Cinematheque\, 821 University Ave / 4070 Vilas Hall\, Madison\, WI\, 53706\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://d3hccd6dowbbba.cloudfront.net/wp-content/uploads/2023/01/02125045/aftersunfilm-hed.jpg
END:VEVENT
END:VCALENDAR