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SUMMARY:CodaFest at Café Coda
DESCRIPTION:The first-ever CodaFest is a five-night festival that impressively encompasses the sheer variety of jazz and improvised music Café Coda has showcased in Madison since opening in 2017. The top-line acts are two veteran\, boundary-pushing musicians who retain their fiery vitality today: saxophonist Roscoe Mitchell\, playing Wednesday night in a trio with bassist Jakob Heinemann and drummer Tim Russell\, and Marshall Allen\, leading the ongoing interstellar voyage of the Sun Ra Arkestra on Saturday night. Those highlights alone are a testament to the Willy Street venue’s ability to bring in great music\, and its deep commitment to the history and practice of jazz. \nCodaFest’s lineup also incorporates two jazz documentaries: Jazz In Exile (screening Thursday at 2 p.m. followed by a discussion with director Chuck France) details the careers of Black jazz musicians who left the United States to live and work in Europe\, and an episode from Ken Burns’ Jazz documentary\, titled A Masterpiece By Midnight (screening Friday at 2 p.m.)\, which surveys the splintering and development of jazz music from 1960 onward.  \nOther highlights throughout the fest include Chicago-based pianist/vocalist Alexis Lombre (Sunday at 3 p.m.); Coda owner Hanah Jon Taylor with bassist Reggie Workman\, drummer Dushun Mosley\, and pianist Luke Leavitt (Saturday\, 5 p.m.); and a duo set from guitarist Louka Patenaude and pianist Paul Hastil (Thursday\, noon). The festival has some free afternoon events and a range of prices for ticketed events (there’s also an all-access pass option for $275)\, so I’d recommend taking a thorough look at Coda’s events and tickets pages to plan ahead. \n—Scott Gordon \nthe Ritual and the Dance by Roscoe Mitchell & Mike Reed
URL:https://tonemadison.com/event/codafest-at-cafe-coda/
LOCATION:Café Coda\, 1224 Williamson St\, Madison\, WI\, 53703\, United States
CATEGORIES:Music
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SUMMARY:All Is Forgiven at UW Cinematheque
DESCRIPTION:Annette (Marie-Christine Friedrich) and her young daughter Pamela (Victoire Rousseau) listen to the piano at a family gathering. \nExcerpt from Alisyn Amant’s review: \nAs Mia Hansen-Løve’s directorial debut\, All Is Forgiven (2007) is the logical birthplace of the cinematic tone that becomes distinct in her later films\, like Bergman Island (2021). She immerses viewers in moments of intense realism with characters Victor\, Annette\, and Pamela in the majority of the 105-minute running time. Take\, for example\, the portrayal of Victor’s addiction: one may expect the archetypal\, gritty\, and raucous scene of a person shooting heroin into their veins or snorting cocaine amidst dancing bodies and loud music. In All Is Forgiven\, the picture of addiction instead becomes a man wandering from park to park to find a dealer\, slipping away from outings with his daughter to run “errands” and waking up to the anticlimactic overdose of a lover. The expository tension between a dependence on drugs and the decay of a family still makes room for the subtle details of life: the sound of shoes on pavement or gravel\, the ripples of water on the surface of a pond\, the rustling of leaves and flowers. \nWhile that pervading sense of reality successfully creates an intelligent\, picturesque aura\, it simultaneously becomes a detriment to the viewer’s ability to connect with its characters as fixtures in a story. Moments that are supposed to be seen as monumental and emotional\, according to the typicality of narrative structure\, fall flat in service to realism. But regardless of one’s preference for the levels of tilt toward realism or romanticism\, All Is Forgiven is nonetheless an admirable debut that showcases the cinematic notions of a then-budding\, now-established director.
URL:https://tonemadison.com/event/all-is-forgiven-at-uw-cinematheque/
LOCATION:UW Cinematheque\, 821 University Ave / 4070 Vilas Hall\, Madison\, WI\, 53706\, United States
CATEGORIES:Film
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